What is the definition of a camera dolly

　　You do not need to spend a lot of money on those compelling moving shots. If you're shooting a short moving shot with a digital SLR camera, look for a miniature desktop shotgun. These seemingly insignificant components at the very moment of critical but most of them can withstand a considerable amount of weight, even if you are using from sevenoak camera dolly
　　If you can not afford the camera slider, and there is not a smooth plane that can take advantage of the camera carriage, tripod pulleys will be your best bet. This easy-to-use tripod accessory will require a solid, smooth surface to really achieve the effect you want. However, if this is not possible, there are other relatively inexpensive options for this type of dolly.
　　Camera moving aid:
　　1. Dolly dolly (camera movement method started to be used in the early 20th century)
　　2. camera rocker arm (appeared in the 1920s)
　　3.  Handheld Camera Stabilizer (first used in Glorious Route 1957 and Kubrick's Shining Star, commonly used in the 1970's)

Sevenoak camera dolly


　　Motorized camera dolly SK-MS01

　　Sevenoak SK-MS01 is motorized push cart which offers your video with more dynamic movement but keep your budget low. It features double motor operation, Aluminum construction, 1/4” screw holes, 0.65mm connecting hole, power switch, forward-backward switch and speed control button. SK-MS01 is powered by two 1.5V AA batteries and can support up to 3KG. It can be easily attached to any camera dollies with standard 0.65mm connecting holes and moves smoothly at different angle.
　　Size: 19*17*8 cm
　　Product weight: 0.41 KG
　　Max load capacity: 3 KG

In the filming of narrative films, the principle of camera movement is that movement must be purpose-oriented. Cameras move not just to move, but also to narrative techniques.
　　There are two motives for camera movement:
　　1. The performance itself requires the camera to move. For example, if a character gets up from a chair and goes to a window, it is quite reasonable for the camera to move with her. Although this movement is not necessary, but certainly one way to show the plot.
　　2. Whether the car began to move, stop or Pingyao lens, should be purposeful, the motivation for moving may be just to switch the movie to a new screen to go. The new picture should include new information, and its method of making sense, not "the camera moved to this place."

　　One of the important parts of this is that the camera should "settle" for a while at the end of any move, it must "show" the new picture and pause at the clip for at least a beat. If you want to attach a still shot behind this shot, pause is very important.

More information about sevenoak camera slider ,camera stabilizer

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